演出介绍：
安特耶·魏特哈斯，小提琴
充满活力的安特耶·魏特哈斯把扣人心弦的音乐天赋和精湛的演奏技巧融入到音乐的每一个细节中。她的个人魅力和舞台表现令人着迷，但从未使作品本身失去光彩。她的演奏曲目很广泛，包括莫扎特、贝多芬和舒曼的协奏曲，约尔格·维德曼的小提琴协奏曲新作，肖斯塔科维奇、普罗科菲耶夫、利盖蒂、古拜杜丽娜的现代古典作品以及较少演奏的哈特曼和舍克的协奏曲。
作为小提琴独奏家，安特耶·魏特哈斯曾与德国大多数最重要的交响乐团合作，包括柏林德意志交响乐团、班贝格交响乐团和德国主要的广播交响乐团，以及众多国际上重要的交响乐团，如洛杉矶爱乐乐团、旧金山交响乐团、英国爱乐乐团、BBC交响乐团，以及荷兰、斯堪的纳维亚和亚洲主流的交响乐团。 她曾与众多杰出的指挥家合作，如弗拉基米尔·阿什肯纳齐、德米特里·基塔延科、内维尔·马里纳爵士、马克·阿尔布雷希特、雅科夫·克莱兹伯格、萨卡里·奥拉莫和卡洛斯·卡尔马合作过。
2023/24乐季的亮点包括：与共鸣合奏团、福拉尔贝格交响乐团、南荷兰爱乐乐团、伯尔尼室内乐团和波茨坦室内学院乐团合作的音乐会以及将在奥伯斯特多夫音乐之夏和西南德广播电台施韦青根音乐节与玛丽-伊丽莎白·海克尔和马丁·海尔姆兴带来三重奏音乐会。
凭借她在演奏中极强的感染力和领导力，安特耶·魏特哈斯在无指挥的情况下带领多个享誉国际的室内乐团演出协奏曲音乐会，其激发灵感的能力与口碑备受赞誉。在作为伯尔尼室内乐团艺术总监的近十年里，她引领着乐团的艺术方向，带领乐团演绎贝多芬交响曲等大型作品，并录制了柴科夫斯基、勃拉姆斯、门德尔松和贝多芬的作品。安特耶·魏特哈斯作为巴黎室内管弦乐团2021/22乐季的驻团艺术家，催生了新的项目包括他们的演奏指挥学院。2025年7-8月，安特耶·魏特哈斯携手阿姆斯特丹音乐厅室内乐团展开南美巡演，于巴西、阿根廷和乌拉圭演出七场音乐会，自拉自指门德尔松、拉威尔和莫扎特的作品。
安特耶·魏特哈斯录制的《巴赫与伊萨伊无伴奏小提琴作品全集》系列唱片获得好评如潮。2023-24年，CAvi厂牌发行了她与钢琴家德奈什·瓦尔永合作录制的《贝多芬钢琴与小提琴奏鸣曲全集》，获2024年「德国唱片评论家年度唱片大奖」。2024年，CAvi厂牌发行了她与伯尔尼室内乐团合作录制的专辑《瓦斯克斯：第二小提琴协奏曲“暮光”》，斩获OpusKlassik德国古典音乐大奖「2025年度器乐演奏家 」殊荣。
安特耶·魏特哈斯四岁开始学习小提琴，随后在柏林汉斯·艾斯勒音乐学院师从维纳·索尔茨教授。1987年她在格拉茨赢得克莱斯勒国际小提琴比赛，1988年在莱比锡国际巴赫大赛和1991年汉诺威约阿希姆国际小提琴比赛中分别获奖。2019年起，她与小提琴家奥利弗·威尔携手接任了著名的约阿希姆国际小提琴比赛的艺术总监一职。柏林艺术大学任教结束后，安特耶·魏特哈斯于2004年成为了柏林汉斯·艾斯勒音乐学院的小提琴教授。她使用的是一把2001年的彼得·格莱纳小提琴。
Antje Weithaas, Violin
Brimful of energy, Antje Weithaas brings her compelling musical intelligence and technical mastery to every detail of the music. Her charisma and stage presence are captivating, but never overshadow the works themselves. She has a wide-ranging repertoire that includes the great concertos by Mozart, Beethoven and Schumann, new works such as Jörg Widmann’s Violin Concerto, modern classics by Shostakovich, Prokofiev, Ligeti and Gubaidulina, and lesser performed concertos by Hartmann and Schoeck.
As a soloist, Antje Weithaas has worked with most of Germany’s leading orchestras, including the Deutsches Symphonie-Orchester Berlin, Bamberg Symphony and the major German radio orchestras, numerous major international orchestras such as the Los Angeles Philharmonic, San Francisco Symphony, Philharmonia Orchestra and the BBC Symphony, as well as and the leading orchestras of the Netherlands, Scandinavia, and Asia. She has collaborated with the illustrious conductors Vladimir Ashkenazy, Dmitri Kitayenko, Sir Neville Marriner, Marc Albrecht, Yakov Kreizberg, Sakari Oramo and Carlos Kalmar.
Highlights of the 2023/24 season include concerts with Ensemble Resonanz, Symphonieorchester Vorarlberg, Philharmonie Zuidnederland, Camerata Bern, Duisburger Philharmoniker and Kammerakademie Potsdam as well as trio concerts with Marie-Elisabeth Hecker and Martin Helmchen at the Oberstdorfer Musiksommer and the Schwetzinger SWR Festspiele.
Through her infectious zest for communication, Antje Weithaas’ reputation for inspiring play-lead concerts with international renowned chamber orchestras is rapidly growing. Having been the Camerata Bern’s artistic director for almost ten years, she was responsible for the ensemble’s musical profile, leading large works such as Beethoven’s symphonies, and recording music by Tchaikovsky, Brahms, Mendelssohn and Beethoven. Her concerts as artiste associé of the Orchestre de Chambre de Paris in the 2021/22 season led to several new projects including their play-conduct academy. From July to August 2025, Antje Weithaas will be touring South America with the Concertgebouw Chamber Orchestra to give seven concerts in Brazil, Argentina and Uruguay, while play-lead works by Mendelssohn, Ravel and Mozart.
There were rave reviews for Antje Weithaas’ complete recordings of Johann Sebastian Bach’s solo sonatas and partitas and Eugène Ysaÿe’s solo sonatas. During 2023-24, the Complete Beethoven Sonatas for Piano and Violin, recorded by Antje and pianist Dénes Várjon, were released by CAvi-music, which was awarded “German Record Critics’ Annual Award”. In 2024, CAvi-music released the album of Vasks: Concerto No.2 for Violin and String Orchestra “In Evening Light” by Antje and Camerata Bern, which was awarded “2025 Instrumentalist of the Year” by Opus Klassik.
Antje Weithaas began playing the violin at the age of four and later studied at the Hochschule für Musik “Hanns Eisler” Berlin with Professor Werner Scholz. She won the Kreisler Competition in Graz in 1987 and the Bach Competition in Leipzig in 1988, as well as the Joseph Joachim International Violin Competition Hanover in 1991. Together with Oliver Wille, she has taken over the artistic leadership of the renowned Joachim competition in 2019. After teaching at the Universität der Künste Berlin, Antje Weithaas became a professor of violin at the Hochschule für Musik “Hanns Eisler” in 2004. She plays on a 2001 Peter Greiner violin.
曲目单：
Concert - 1 (16:30）
G 小调第一奏鸣曲，BWV 1001
B 小调第一组曲，BWV 1002
Intermission｜中场休息
A 小调第二奏鸣曲，BWV 1003
Concert - 2 (19:30）
D 小调第二组曲，BWV 1004
Intermission｜中场休息
C 大调第三奏鸣曲，BWV 1005
E 大调第三组曲，BWV 1006
